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Fee Range:Please Contact
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Years Active: 2004–present
277.7KScrobbles
54.5KListeners

Since birth (year 1976) he has been surrounded by music, his parents introducing him to the world of music as a young child with the mini night club installed in the basement by his Father as a big initiating factor.

He dropped his synth classes after just a few lessons. Following sheet music wasn't really his thing, he wanted to create! He then discovered the 8bits mono sampling on his old Amiga 500 at the beginning of the 90s.

He got a hundred or so songs out of that old computer. In 1996, he bought his first machine, a Groovebox MC-303, which he traded pretty quickly for a good sampler and small analog synths.While having too many influences to name them all, he mainly listens to French electro music, lots of disco and funk with a small preference for Italian disco from the 80s.

He recalls his first live experience of 40 minutes at the Divan du Monde (Paris)on the 23rd of May, 2001, as a cool experience.At the beginning of 2004, first signature at Serial Records, for an EP "To You" and success is there! The second "Smashing Music" will follow the same way…2005, new single, hot hit, "I'll Be There" is placed in the charts, the year finished well with a collaboration under the name Serial Crew (Mathieu Bouthier/Muttonheads/Demon Ritchie) and the single "Need U"!The future will be the occasion to discover new original titles, remixes, and an album planned for 2006 if all is well!(Adapted from his autobiography, source http://www.

muttonheads.com)

Muttonheads performs dance, electronic, electro, house music and can be booked for (private) corporate events, personal appearances, or other music performances. The estimated booking fee range to book Muttonheads for your event, Please Contact. Muttonheads has more than 54.5K listeners worldwide and really knows how to entertain your audience. Similar artists are   . Contact AAE Music agency for ratings, reviews, videos and information on scheduling Muttonheads for an upcoming event.

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